Unloaded: Agnes Martin Studio, 2012. Acrylic and Resin on Perspex. 153cm Diameter.
A translation of a digital "misfire." The grid-like discipline of Martin’s studio is reimagined through light-responsive glazes that shift with the viewer's movement.
Capturing the "unloaded" state of a search result, where the physical presence of the Perspex replaces the missing digital data.
Unloaded: Murakami (Vibrational Core), 2012. Acrylic and Resin on Perspex. 153cm Diameter.
Inspired by the high-energy output of Murakami’s studio, built through rhythmic layering to capture a sense of alignment and manifestation.
Close-up of suspended pigments, mirroring the saturation of a screen while maintaining a deep, resonant physical depth.
Unloaded: Missoni (In Situ). Located at Studio Munge, Toronto. This piece demonstrates the architectural synergy between the work’s fluid energy and modern interior design.
Unloaded: Murakami (Spectral Shift). An exploration of different shades and tonal persistence, mimicking a chain reaction of creative energy.
Unloaded: Picasso’s Ghost. A reductive aesthetic study of the legendary studio, filtered through the lens of a digital search glitch.
Unloaded: Hirst (Process View). Showing the "controlled chaos" of the studio during the layering phase, inspired by the industrial scale of Hirst’s practice.
Unloaded: Hirst (Temporal Persistence). The final 153cm tondo, where the resin "lens" preserves the intention of the 17-second manifestation intervals.
Unloaded: Tracey Emin Studio, 2012. Acrylic and Resin on Perspex. 153cm Diameter.
